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Id. (1994), A Distinctive Group of Sixteenth-Century Italian Stringed Keyboard Instruments, The Historical Harpsichord, vol iv, Pendragon Press, Stuyvesant, ny.
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Mondino, A., (1993), Il Clavicordo. Interpretazione e ricostruzione di antichi strumenti a tastiera, lim, Lucca.
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Id. (1970), A Reassessment of the Fretted Clavichord, gsj 23, pg. 40-48.
Id. (1974), The Instrument Catalogs of Leopoldo Franciolini, Joseph Boonin, Hackensaack, nj.
Id. (1975), Towards an Identification of the Cekker, gsj 28, pg. 11-25.
Id. (1976), A Reevaluation of Virdung’s Musica Gestuscht, jams 29/2, pg. 190-213.
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Id. (1998), The Pedal Clavichord as a Pedagogical Tool for Organists, in De Clavicordio iii. Proceedings of International Clavichord Symposium, Atti del congresso internazionale sul clavicordo, 24-28 settembre 1997, Istituto per i Beni Musicali in Piemonte, Torino.
Id. (1999), Some Questions about Clavichord Soundboards, in Research Reports of the Goteborg Organ Art Center, vol i, Swerker Jullander, Goteborg, GOart, pg. 173-192.
Id. (2002), Two Mid-18th Century Swedish Clavichords. A Professional Instrument by an Amateur Builder and an Amateur Instrument by a professional One, in De Clavicordio ii. Proceedings of International Clavichord Symposium, Atti del congresso internazionale sul clavicordo, Istituto per i Beni Musicali in Piemonte, Torino.
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Id. (1996), The Clavichord and Keyboard Tecnique, in The American Organist 30 n. 3, pg. 59-63.
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Sigle
em, Early Music
fomrhi, Fellowship of Makers and Reserchers of Historic Instrument
hc, Het Clavichord
gsj, Galpin Society Journal
jams, Journal of American Musicological Society
jamis Journal of American Musical Instrument Society
mq, The Musical Quartely
rma rc, Royal Musical Association Research Chronicle.
Fonti storiche
adlung, J., Anleitung zu der musikalishen Gelahtheit (Erfurt 1758), ed. in fac-simile a cura di H.J. Moser, Barenreiter, Kassel 1953.
bach, C. Ph. E., Versuch über die wahre Art das Klavier zu spielen (Berlino 1753,1762), ed. italiana a cura di Gabriella Gentili Verona, Edizioni Curci, Milano 1995.
bermudo, j., Declaration de Instrumentos Musicales (Osuna 1555), fac-simile a cura di Macario Santiago Kastner, Documenta Musicologica vol. xi, Barenreiter, Kassel 1957.
burney, Ch., The present State of Music in Germany. The Netherlands and United Provinces (Londra 1775).
cerone, p., El Melopeo y Maestro (Napoli 1613).
conrad von zabern, h. De Musiketraktate conrad von Zabern, a cura di Karln Werner Gümpel, Akademie der Wissenschaufen und der Literatue in Mainz, Jahrgang 1956, Wiesbaden. pg. 1-154.
diruta, g., Il Transilvano (Venezia 1593), ed. in fac-simile a cura di Luisa Cervelli, Libreria Editrice Forni, Bologna 1969.
douwes, c., Grondig Ondersoek van de Toonen der Musiijk (1699).
mattheson, j., Das new-eroffnete Orchester, Schiller, Hamburg 1713.
mersenne, m., Harmonie Universelle, 2 voll., Paris 1636.
praetorius, m., Syntagma Musicum, vol ii De Organografia, E. Holvein, Wolffenbüttel 1618.
ugolino da orvieto, Declaratio Musicae Disiplinae, a cura di Albert Seay, American Insitute of Musicology, Roma-Dallas 1962.
virdung, s., Musica Gestutscht und Ausgezogen, Offizin Michael Furter, Basel 1511.
zarlino, g., Le istitutioni harmoniche (Venezia 1558), ed. in fac-simile a cura di Jan Fenlon, Libreria editrice Forni, Bologna 2002.